inland-delta:

Emile Friant, Voyage a l’Infini, 1899

3 hours ago 123 notes

transistoradio:

Cy Twombly, Fifty Days at Iliam: The Fire that Consumes All before It (1978), oil, oil crayon, and graphite on canvas, 299.7 x 379.7 cm. Collection of Philadelphia Museum of Art, Philadelpia, Pennsylvania, USA. Via the blue suitcase.

3 hours ago 349 notes

"I understand. That’s the trouble. I understand. I’ll understand all the time. All day and all night. Especially all night. I’ll understand. You don’t have to worry about that."

- Ernest Hemingway, Winner Take Nothing (via porcelinas)

(via iridescentbecoming)

3 hours ago 8,377 notes

catmota:

Diving Bird  (1939)

Giovanna Erika Klien

(via detailsdetales)

3 days ago 248 notes

KUZHUR

2 weeks ago 1 note

TAGORE: Instruments are used, not for harmony, but for keeping time and adding to the volume and depth. Has melody suffered in your music by the imposition of harmony?
EINSTEIN: Sometimes it does suffer very much. Sometimes the harmony swallows up the melody altogether.
TAGORE: Melody and harmony are like lines and colors in pictures. A simple linear picture may be completely beautiful; the introduction of color may make it vague and insignificant. Yet color may, by combination with lines, create great pictures, so long as it does not smother and destroy their value. 
EINSTEIN: It is a beautiful comparison; line is also much older than color. It seems that your melody is much richer in structure than ours. Japanese music also seems to be so.

2 weeks ago

Grace Jones in Issey Miyake

(via forcoloredgirlswhodgaf)

1 month ago 2,087 notes

viperslang:

Avoid the flourish. Do not be afraid to be weak. Do not be ashamed to be tired.

— from How to Speak Poetry, Leonard Cohen 

1 month ago 62 notes

"Do not waver
Into language. Do not waver in it."

- Seamus Heaney, from “Lightenings,” Opened Ground: Selected poems 1966-1996 (Farrar, Straus and Giroux, 1998)

1 month ago 7 notes

"Some things are not meant to be clear; obscurity is their clarity. We should not underestimate obscurity. Obscurity is as rich as luminosity."

- Etel Adnan (via bombtune)

1 month ago 6 notes

"I love rains which carry desires
to
oceans."

- Etel Adnan, The Manifestation Of The Voyage (via violentwavesofemotion)

1 month ago 413 notes

"Yes: you are going to sound pious and melodramatic. Suck it up."

- A David Foster Wallace footnote sort of addressed to himself in Brief Interviews with Hideous Men (via autobibliography)

(via hush-syrup)

1 month ago 125 notes

We do this because the world we live in is a house on fire and the people we love are burning. - Sandra Cisneros

1 month ago 2 notes

"To understand what I am saying, you have to believe that dance is something other than technique. We forget where the movements come from. They are born from life."

- Pina Bausch

1 month ago 2 notes

unfolding:

"Philadelphia-based artist Amze Emmons creates colorful gouache & acrylic landscapes depicting the ruins of industrial, capitalist societies fallen into decline. A multi-disciplinary artist with experience in drawing and printmaking, Amze’s work surprises with it’s playful nature set in stark contrast to the landscape.”

(via Junkculture: Disintegration and Sprawl)

1 month ago 6 notes